The cinema of Kwon Hayoun is haunted by absence, standing as a ghostly echo of what’s long gone or never was. Though her short films use real-life stories and experiences as their subjects, these elegiac […]
Month: November 2018
The titular relationship of The Poet and the Boy is defined by a one-sided and stifled passion that might still serve as a preferable alternative to no passion at all. In the directorial debut of Kim Yang-hee, Yang […]