With the feature film industry of Laos still in its early stages of revival after decades of inaction, it could be argued that every new release is a noteworthy development in the nation’s cinematic identity. […]
Mattie Do
With the feature film industry of Laos still in its early stages of revival after decades of inaction, it could be argued that every new release is a noteworthy development in the nation’s cinematic identity. […]
Image from: Idol Is Dead (2012)